Rogers’s signature stripes to a new level. Ditto thick fringed knits in sunshine yellow and cerulean blue, and a sheath dress in a painterly geometry that took Mr. They were possibly the best synthesis of recent trends involving streetwear, loungewear and the re-emergence from the pandemic that any designer has yet produced. Or wearable Yayoi Kusama pumpkin.Įven more interesting, however, were the quasi-evening looks that involved wide cargo pants in silk wool paired with sleeveless halter knits split open below the throat to show the breastbone, the back trailing behind like a train. One black and white polka-dot number had a swagged skirt that seemed to bounce and sway around the body with every step, like some arch redefinition of a ball gown. Not that the collection itself was focused specifically on the Met Gala, or even the red carpet - though there were enough sweeping strapless gowns to satisfy any guest in search of an entrance statement.
Looks from Christopher John Rogers’s latest collection. Stearns said, “I’ll have that forever.” Show more What do you do with a 3-D mold of Doja Cat’s face? Ms. “We just wanted to pay homage to her being the cat and still kind of keep it in a very beauty world.” Stearns, who has worked with Doja Cat before. “I still wanted her beauty to shine through,” said Ms. “It’s a whole process,” she said with a laugh.Ĭompared with Doja Cat’s nearly five-hour-long transformation for Schiaparelli in January, it was almost certainly a breeze.
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They did two full run-throughs with the prosthetic and it took about an hour to apply earlier on Monday. “She wanted to be a cat herself, as like a humanoid kind of cat,” Ms. Stearns “slimed her face in silicone,” she said) to sculpt a small foam latex prosthetic for the event. To begin, she took a mold of Doja Cat’s face (a process in which Ms. Nelson first started planning the look about six months ago. Stearns, a special-effects makeup artist who lives in Los Angeles, said that she and Mr. They have money, so I don’t know what it’s about.Styled by Doja Cat’s creative director, Brett Alan Nelson, with makeup by Ernesto Casillas and claw nails by Saccia Livingston, Doja Cat wore a prosthetic facial piece sculpted and applied by Malina Stearns. When asked about the sale of her estate, a peer of hers from an equally important family in Turin said, “I don’t know. Her family has always been rich, she made millions annually at the height of her profession as a model, and her husband’s financial security is firmly established, as he is presently the head of state of a wealthy nation. Interestingly, though, Bruni-Sarkozy doesn’t appear to be in need of money. It seems that for many affluent individuals from this world, placing an ancestral home on the market is an action one takes only out of absolute necessity.
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And speculation about her reasons for selling the property is spreading like wildfire through all of polite society’s finest drawing rooms.ĭoes she need the money? Has the financial crisis struck even the storied wife of Western Europe’s celebrity president, Nicolas Sarkozy? Could the incident be the first crack in a wall that is bound at some point to crumble to pieces? Such are the murmurs arising from the deep-pocketed jet set. Bruni-Sarkozy is most widely known for her celebrated career as a fashion model, as well as for her current position as the first lady of France, but she is also an Italian aristocrat, born an heiress to the distinguished Tedeschi tire manufacturing fortune. Last week, the international media reported that Carla Bruni-Sarkozy sold her family’s ancestral home in Turin, Italy, for $11.5 million.
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